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‘I Know A Secret,’ A Conversation with Tess Gerritsen

September 5, 2017 by Mark Rubinstein Leave a Comment

Tess Gerritsen was a physician and Board-certified internist before turning her talents to writing. The Rizzoli and Isles series, featuring a homicide detective and medical examiner, propelled Tess to the status of an internationally bestselling author; and was the foundation for the popular television series of the same name.

Tess has written standalone medical and crime thrillers; and her books have been published in 40 countries.

I know A Secret involves two separate homicides with unrelated victims. In both cases, the bodies bear strange wounds, yet the actual causes of death are unknown. Concurrently, Jane is struggling to save her mother from a marriage that threatens to bury her, while Maura is grappling with the imminent death of her own mother—the infamous serial killer Amalthea Link.

The investigation of the two homicides leads to a secretive young woman and just when Rizzoli and Isles think they’ve cornered a fiendish predator, the long-buried past surfaces and threatens to engulf everyone.

When we last talked, you described how your standalone novel “Playing with Fire” arose from an unusual experience you had. What led to the idea for “I Know A Secret”?

This book was also based on a trip to Italy, during which I visited a number of art museums and saw many Renaissance paintings. I had read the book, How to Read a Painting, which taught me how to look at a painting and recognize the characters depicted.

For example, Saint Sebastian was always depicted with arrows in his chest; Saint Lucy with her eyes in her hands. These symbols denote who these figures are.

As a crime writer, I began thinking: What if a killer set up his crime scenes the way a Renaissance painter would have arranged his paintings? It struck me as a fascinating modus operandi—a killer would leave symbols for somebody to interpret.

While “I Know A Secret” isn’t a horror story, there’s a good deal about horror stories and movies in the narrative. Tell us about that.

When I was growing up, I loved horror stories. My mother loved them, too, and she took me to every horror movie ever made.

My son and I made a horror film, Island Zero, and it’s currently making the rounds of the film festivals. Being involved in indie-film making with a horror movie, combined with a life-long enjoyment of the genre, gave me the idea for Jane Rizzoli to be faced with the first victim being a horror-film producer; and the final clue leading to the identity of the killer deriving from a horror film.

In addition to medical forensics, “I know A Secret” involves plenty of psychology about child abuse and memories. Will you talk about that?

I became interested in false memory syndrome—a condition in which someone believes something happened when it didn’t. Yet, it’s “remembered” vividly. Elizabeth Loftus did research which showed you can implant false memories in about twenty-five percent of adults.

She gave the subjects three real memories based on what their families had told her, and then provided them with one false memory. She asked the subjects to describe these four incidents from their childhoods in greater and greater detail as the weeks went on. By the end of the experiment, some of the subjects couldn’t tell which were the true memories and which one was false.

In the late eighties and early nineties, there was a widespread belief that satanic circles were committing sexual abuse of children. People were being put on trial for nothing. I wanted to explore that issue in the novel.

Near the end of “I know A Secret,” Maura and Daniel are getting together once again. Do you have plans for them in the future?

I think I’ve set it up as an imperfect love. But, it is love, and that’s the way so many relationships are. Nothing is perfect. This is the happiest they’re going to be.

Which character in “I know A Secret” was most compelling to write?

Holly was very challenging for me to write. I’d never before delved into the psychopathic side of a character’s personality. Holly just views other people as being usable and disposable. She has no sense of empathy for anyone, and I found that difficult to write.

How do you manage to keep the Rizzoli and Isles series fresh after so many books?

I think what keeps it fresh is the two main characters are always evolving. Things happen to them and to their families, and they keep moving forward. For Jane, it’s to see what’s happening with her brother and parents. I also love the fact that her mom—who’s not a spring chicken—can still have a romance, despite her age.

The other thing that keeps it fresh is that every mystery comes from a different place—from an inspiration that’s unique. As I said, this one arose from Italian Renaissance paintings.

If you could read any novel again as though reading it for the first time, which one would it be?

One of the books I remember so well is Larry McMurtry’s Lonesome Dove. I was so immersed in that story, I wish I could read it again as though it were for the first time. There are several books like that. I wish I could re-read The Lord of the Rings, as though for the first time. It’s an interesting thought: maybe if I reread some of these books, I’d probably discover new things about them.

For me it would have been “Watership Down.”

Oh yes. What a creative book. Can you imagine getting into the head of a rabbit? It was a fantastic book.

Will you complete this sentence: Writing novels has taught me________________?

It’s taught me to pay attention to my emotions. For me, what keeps a book going forward is the fact that characters aren’t settled. There’s something distressing about whatever situation they’re in. In order to write a well-paced novel, you must be cognizant of what’s bothering these people. Or, if I were in that situation—what would be bothering me? What would make me want to fix something?

In order to be in touch with my characters’ emotions, I have to be in touch with my own.

What’s coming next from Tess Gerritsen?

I’m working on a weird and different book. It’s an erotic ghost story.

It often drives my publisher crazy that I’ll jump from one genre to another. The book business wants an author to write in a single genre—the one in which you’re best known.

Well, when you’re Tess Gerritsen, you’ve earned the right to write what you want.

[Laughter] When you’re as old as I am, you realize there’s only a certain amount of time left to tell the stories you want to tell. [More laughter].

Congratulations on writing “I Know a Secret,” a fast-paced, dark, edgy mystery/thriller filled with unremitting suspense.

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Filed Under: About Books, crime, doctor, Huffington Post Column, Interviews Tagged With: detective work, medical examiner, Murder, ritualistic killings

Madness and Death

December 6, 2016 by Mark Rubinstein Leave a Comment

madnessOn October 18, 2016, Deborah Danner, a 66-year old woman, was shot to death by a police sergeant. Along with his fellow officers, he had responded to 911 calls from neighbors because she had been acting strangely. Records show the police had been called in the past to deal with Ms. Danner who had been tormented by schizophrenia since her twenties.

When the officers arrived on the scene, they encountered an agitated Ms. Danner brandishing a pair of scissors. When told to drop the scissors, she grabbed a baseball bat and charged toward the sergeant, who shot her twice. Although the officers had Tasers, lethal force was used against this sick woman.

Despite a recent but underfunded citywide effort to expand mental health care services, no mental health professional accompanied the officers to defuse the confrontation. The system failed Ms. Danner. It also failed the officers responding to the call.

This tragic case brings into focus a systemic problem in dealing with mentally ill people. Before the advent of antipsychotic medications, someone like Ms. Danner would have been institutionalized for years. But with the advances in prescription medicines, severe signs and symptoms of schizophrenia can be suffocated, obviating the need for long-term hospitalization.

Stabilized patients, armed with a prescription for antipsychotic medication, are now discharged from mental hospitals and sent out into the world where they can presumably lead reasonably normal lives.

But there is a catch—a very big one:

The medications must be taken every day—without fail—in order to be effective.

When patients stop taking their pills, or when life stresses escalate, the symptoms come rip-roaring back and the patient descends back into psychosis.

Floridly disturbed patients, like Deborah Danner, now cycle through psychiatric hospitals for short-term stays until their symptoms subside. Once stabilized, they’re back into the world with instructions to take their medication and follow-up at community mental health centers.

Underfunded out-patient facilities are overwhelmed by the influx of patients, resulting in people being seen only once every few months for only a few minutes per visit. The long interval between appointments and the brevity of each check-up doesn’t allow for proper monitoring, which lead to a “revolving door” cycle of short-term psychiatric hospitalizations, stabilization and release, followed by missed clinic appointments along with non-compliance taking medication, inevitably leading to a resurgence of madness.

When the police are called, as happened with Ms. Danner, they typically face an agitated, irrational, psychotic person who is often threatening and can inflict potentially lethal injury. Even an elderly, diminutive woman in a state of psychosis can pose an enormous risk to first responders.

Every day, in cities and towns throughout our country, police are called to quell disturbances caused by the mentally ill.  Most encounters end uneventfully. But every now and then, a tragedy occurs like the one that befell Deborah Danner.

We ask our police to be mental health professionals without giving them sufficient training to safely diffuse these encounters. We refuse to sufficiently fund out-patient mental health centers, resulting in tragedies, in addition to contributing to the problem of mentally-ill homeless people.

Deborah Danner didn’t deserve to die. The sergeant who killed her shouldn’t have to face the rest of his life dealing with the action he took inside her apartment.

As a society, we must get serious about adequately funding mental health clinics and training our police officers so this kind of tragedy does not happen again.

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Filed Under: crime, doctor, health, Huffington Post Column Tagged With: death, emergency personnel, police, psychosis

Gizmodo Interviews Me About “Bedlam’s Door” and Mental Illness

September 3, 2016 by Mark Rubinstein Leave a Comment

Real Stories About Real People Show Complexity of Mental Illness

A Hungarian-born man is found ranting in the street that he is “king of the Puerto Ricans.” A perfectly healthy woman feels compelled to undergo over a dozen operations. A man in a straightjacket somehow manages to commit suicide while inside a locked psychiatricAmazon pic ward.

These are just a few of the compelling stories in Mark Rubinstein’s new book, Bedlam’s Door: True Tales of Madness and Hope. (You can read an exclusive excerpt here.) Rubinstein is a former practicing psychiatrist turned novelist who has drawn on his years of clinical experience to follow in the nonfiction footsteps of Oliver Sacks, shedding light on the complexities of the human mind with real stories about real people. Gizmodo sat down with him to learn more.

Gizmodo: What drove you to write this nonfiction book, after years of clinical practice and novel-writing?

Mark Rubinstein: It all came down to my wanting to tell the general public a little bit more about mental illness. When someone has a physical illness, people feel some kind of empathy, but they still respond to an obviously disturbed person with fear. It’s not just your heart, lung, or liver that’s sick—it is you. That is very threatening to people. And people don’t really understand the mental health dilemma, and the issues that mental health practitioners face.

Q: You brought a novelist’s sensibility to these stories, with composite characters and reconstructed dialogue. How much is fiction and how much is nonfiction?

Rubinstein: It is kind of a combination of fiction superimposed on a nonfictional layer of things that really happened. These were all real people and real cases—sometimes a composite of more than one person to protect their privacy. Oliver Sacks was accused of unwittingly giving away the identities of some of the people he wrote about in The Man Who Mistook His Wife for a Hat.

I never wanted to be accused of anything like that, so I changed everything: times, places, people, venues, even races. I didn’t even use a real hospital. Of course, I couldn’t remember all the dialogue from 30 years ago, but I created dialogue consistent with the story line. But these were all real stories and real people from people I had treated. There isn’t a story in there that isn’t true.

But the overarching theme running through most of the stories is that even with the most bizarre cases, if time is taken to listen to these people and understand their stories and background, perhaps we can offer them help. It’s all about storytelling. That’s what novelists do, and in a sense that’s what patients do when they come to see a psychiatrist: they tell a story.

Q: I was struck by your statement that even people who suffer from the same diagnosed condition can have very different stories.

Rubinstein: [Mental illness] can affect almost anybody, given certain circumstances. Some of the most successful people on the planet have a touch of hypomania. I know physicians and attorneys who don’t have full-blown manic episodes but they are filled with boundless energy. They are restless. They feel bored and unhappy unless they are facing a challenge. And they are highly successful. Take that to a more severe degree, however, and it can be completely disabling. And 100 different people can have 100 different pathways to the same diagnosable psychiatric disorder.

You contrast two very different examples of PTSD in the book, for instance.

Rubinstein: In one case, a police officer was shot while sitting in his patrol car outside a store near Tompkins Square Park in New York City. A bullet smashed through the windshield and hit him in the armpit, ruining his brachial plexus—a complicated series of nerves that serves the entire arm. He almost bled to death in the ride to the hospital, and he was crippled for the rest of his life. The depression, the PTSD, the pain he felt in his right arm—the pins and needles and tingling—was directly related to the psychic impact of that half-second of impact.

Then there is the man I call Nathan, found ranting on Delancy Street that he was the king of the Puerto Ricans. He was a carpenter, born in Hungary, and that skill saved his life at Auschwitz. He watched people disappear into the gas chambers—his family, his entire village. He was the sole survivor. But his PTSD didn’t develop until 40 years later, when he was in America and fell off the ladder while working on a roof, breaking some vertebrae in his back. He could no longer work and began having horrifying nightmares. It’s called delayed onset PTSD. So these two men came by totally different pathways to the same condition.

Q: In both your preface and conclusion, you talk about how mental illness has always been stigmatized throughout history. Is it really any different today?

Rubinstein: Well, today we don’t torture people. As recently as the 1950s, they were lobotomizing psychotic patients. They removed a good portion of the white matter of the frontal lobes of the cortex, and turned those people into—for lack of a better term—the walking dead. They became blunted and unresponsive to most emotional stimuli. It was done to try to improve their lot in life, but it shows how primitive things used to be.

When I was in resident psychiatry, the cops would drag a guy in and tell me, “This guy belongs in the loony bin, doc.” Even if the person was just drunk, they wanted to dump these people off in the psychiatric emergency room rather than take them to the precinct. They didn’t want to be bothered with an agitated, fulminating individual who was obviously disturbed.

What’s really changed is there is a much more scientific and compassionate approach. The popular conception of electroconvulsive therapy (ECT) still exists from a famous scene in the 1974 movie One Flew Over the Cuckoo’s Nest—Jack Nicholson with the bulging eyes and convulsions and coming out of it like a vegetable.

But they now use unipolar leads, and very low, slow pulse electricity. They administer muscle relaxants, so there is no convulsion. There is hardly any retrograde amnesia and what little there is resolves with a matter of days. It doesn’t take 12 to 18 sessions anymore, it only takes between four and six.

Q: You end on a somewhat surprising note of optimism, given that these are such very sad stories. I am curious about why you see hope for the future.

Rubinstein: No matter what kind of progress we make, there will always be people slipping through the cracks. There will always be people who either don’t want to be helped, or can’t be helped for some reason. But transcranial magnetic stimulation is a noninvasive new treatment that, so far at least, according to preliminary findings, has tremendously good effects—with no side effects or ingestion of chemicals.

Then there is the promise of gene therapy. At some point in the not too distant future, neuroscience will advance to the point where blood can be taken from a newborn child, and based on that baby’s genome, scientists will be able to predict what mental dysfunctions or illnesses that individual will have a predisposition for. Imagine if you could do that for people with a high risk of schizophrenia or severe bipolar disorder, based on the genome analysis of a two-day-old baby? It would put every psychiatrist out of business.

So in the long run, if the human race survives as a species, I think the prognosis medically [for mental illness] is very good. I am not sure that I am optimistic about the survivability of the human species, but I am optimistic in that limited way.

 

 

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Filed Under: About Books, book launch, doctor, health, Interviews Tagged With: gene therapy, lobotomy, mania, medical advances, mental illness, non-fiction, novels, Oliver Sacks, schizophrenia, storytelling, the future, trans-cranial magnetic stimulation

Flesh and Blood: A Fascinating Talk with Patricia Cornwell

November 15, 2014 by Mark Rubinstein Leave a Comment

2014-11-12-PatriciaCornwell-thumbPatricia Cornwell is the internationally bestselling and award-winning author of 33 books, the most famous and widely read being the 22 novels of the “Kay Scarpetta” series.

In Flesh and Blood, Kay Scarpetta notices seven shiny pennies, all dated 1981, placed on the wall behind her Cambridge house. She soon learns of a shooting death nearby, where copper fragments are the only evidence left at the crime scene. Scarpetta links the murder to two other deaths in which the victims were killed by a serial sniper. The victims had nothing in common, but seem to have a connection to Scarpetta herself.

Read more on the Huffington Post >>

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Filed Under: About Books, creativity, crime, doctor, Huffington Post Column, Interviews, medial thriller, novel, On Writing Tagged With: Agatha Christie, creativity, Dan Brown, Dickens, forensics, Harlan Coben, Harriet Beecher Stowe, Kay Scarpetta, Lee Child, Lincoln, Michael Connelly, Truman Capote

Strolling My Way To A Novel

May 2, 2014 by Mark Rubinstein Leave a Comment

2014-04-30-Treadmillnobrand-thumbRecently, I read an article describing a study that confirmed something I’m quite certain I knew intuitively.

A Stanford University study indicated that walking on a treadmill at “an easy, self-selected pace” while facing a blank wall, helped generate sixty percent more innovative ideas when the subjects were tested psychologically for creative thinking. These results were reported to have applied to almost every student tested.

Read more on the Huffington Post >>

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Filed Under: creativity, doctor, health Tagged With: brain activity, creativity, ellipitcal, exercise, imagination, jogging, stream-of-consciousness, swimming, walking

Show Me The Money

April 26, 2014 by Mark Rubinstein Leave a Comment

I was asked to evaluate psychiatrically, Mr. Smith, a Workers Compensation claimant. While working in construction, he struck his head, sustaining a brief loss of consciousness. At a nearby hospital, he was examined, x-rayed, had an MRI and follow up examinations. No abnormalities were noted.

Read more on Psychology Today >>

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Filed Under: doctor, Interviews Tagged With: claimants, faking, litigation, malingering, money and the law, patients, Workers Compensation

“I Thought We Had A Good Marriage”

April 13, 2014 by Mark Rubinstein Leave a Comment

I was making psychiatric rounds at a nursing home where I visited weekly. Occasionally, elderly residents became agitated, as much a result of confinement and lack of stimulation, as from dementia.

One morning, while I was reading charts, an aide approached me saying, “Mrs. Barnes hasn’t come out of her room in three days. I looked in on her and she was crying. I think you ought to check her out.”

Read more on Psychology Today >>

 

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Filed Under: doctor Tagged With: Alzheimer's Disease, dementia, forgetting, human contact, medication, nursing homes, psychotherapy

Remembrance of Things Past

March 29, 2014 by Mark Rubinstein Leave a Comment

One spring morning, while entering the nursing home, I held the door open for a middle-aged man who was leaving. As he crossed the door’s threshold, an alarm sounded, and two security guards emerged, then guided him back into the facility. A petite, dark-haired woman approached, thanked the guards, and spoke soothingly to him. I could tell she was his wife.

“He’s new, Doc,” said a guard. “He’s much younger than the other residents and people don’t think he’s a patient. They let him out. So we have an ankle monitor on him.”

Approaching the couple, I spoke with his wife as Charles was escorted to his room. He’d been a resident for only four weeks. At 55, he suffered from early onset dementia which had progressed rapidly.

Read more on Psychology Today >>

 

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Filed Under: doctor Tagged With: Alzheimer's, art history, cognition, dementia, intellect, memory, Renoir

My Day Behind Bars

March 3, 2014 by Mark Rubinstein Leave a Comment

It looked like something out of a nightmare—the Fishkill Correctional Facility at Beacon, NY. It was a huge, rambling series of buildings surrounded by chain link fences and concertina wire. I shivered at the thought of spending twenty years in this hellhole—amid society’s castaways, extruded from the world. It reminded me of the ninth level of Dante’s inferno.

I was patted down and wanded. I walked through a metal detector. I removed my shoes, which were examined. I was led by a guard down a long corridor.

Read more on Psychology Today >>

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Filed Under: crime, doctor, Interviews Tagged With: crime, electronic doors, Fishkill Penitentiary, guards, interview, jailhouse lawyer, lawsuit, prison

Storytelling Makes Us Who We Are, Novelist Tells Rotarians: Article in the Westport Minuteman

February 14, 2014 by Mark Rubinstein Leave a Comment

Mark Rubinstein (Contributed photo)

Mark Rubinstein (Contributed photo)

“I always wanted to be a writer,” retired forensic psychiatrist Mark Rubinstein told Westport Sunrise Rotary last Friday. “People were telling me stories all the time … that’s partially why I went into psychiatry.”

Now he’s the storyteller, enjoying his second career, recalling 42 years of “listening to people’s tales of woe,” and working on his fifth novel.

Storytelling, he said, “makes us who we are … the novelist seeks to capture the reader, to take him from his prosaic world to one that gives him an experience he couldn’t hope to have in his daily life.”

Rubinstein spoke to his audience about his practice, about his genre, thrillers, and about writing.

Read more on The Minuteman News Center >>

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Filed Under: About Books, doctor, Mark Rubinstein, On Writing Tagged With: Love Gone Mad, Murder, Novelist, psychiatrist, storytelling, suspense, thrillers, writing

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